![]() ![]() The Expulsion from Paradise - Date UnknownĬlick here to browse the Art History Archive.Franz & Mary Stuck as a God & Goddess - 1900.The Guardian of Paradise / Angel with Flaming Sword - 1889.Paintings & Sculptures by Franz Von Stuck: In 1968 the Villa Stuck was opened to the public today it is a museum. Stuck generally remained lost to public memory until the late 1960s when a renewed interest in Art Nouveau brought him to attention once more. Yet by the time of his death, Stuck's importance as an artist in his own right had almost been forgotten: his art seemed old-fashioned and irrelevant to a generation shattered by the First World War. The number of Stuck's pupils who went on to great success served to enhance the teacher's own fame even further. His villa at the Prinzregentenstrasse, Munich is now a art museum. He was buried at the Waldfriedhof in Munich and his wife Mary rests beside him. The recipient of so many distinctions and an honorary member of numerous European academies, died in Munich in 1928. In the last phase of his work, Von Stuck concentrated once more primarily on sculpture. The many other prizes and honours awarded to Stuck included the Ritterkreuz des Verdienstordens der Bayerischen Krone (Cross of Knighthood in the Order of Merit of the Bavarian Crown), a distinction coupled with elevation to knighthood. ![]() Stuck paid close attention to the frames for his paintings and generally designed them himself with such careful use of panels, gilt carving and inscriptions that the frames must be taken as an integral part of the overall piece. His seductive female nudes, in the role of the femme fatale, are a prime example of popular Symbolist content. ![]() Large, heavy forms dominate most of his paintings and point toward his proclivities for sculpture. Stuck's subject matter was primarily drawn from mythology, inspired by the work of Arnold Böcklin. The furnishings of the Villa were awarded a gold medal at the 1900 Paris Exhibition. The building, with which Von Stuck, the 'prince of artists', erected as a monument to himself in the grand manner of the Renaissance, is acclaimed as a supreme achievement of its kind in architecture. The artist himself designed the architecture, the interior decoration and the furnishings for it and the ensemble amounted to one of the major total works of art of its day. In 1897 construction work began in Munich on the Villa Stuck in Prinzregentenstraße. Von Stuck also became a member of the board of 'Genossenschaft Pan', publishers of the art magazine 'Pan', for which he designed the cover. His notable students included Paul Klee, Hans Purrmann, Wassily Kandinsky, and Josef Albers. When only thirty-two, he was appointed professor at the Munich Academy in 1895. The first major work was the Wounded Centaur in 1890, then the Athlete in 1892.Īt the 1893 'Munich Secession' exhibition (Von Stuck was a founder member) he showed "Die Sünde" (The Sin), creating a sensation. In addition to some early landscapes and numerous portraits, the painter's oeuvre is notable primarily for mythological and symbolic themes.Īround 1890, Von Stuck turned to sculpture and produced a number of statues and statuettes. His sitters' regal poses elevate them above the mundane, making them sublime and timeless. The drawings he did for the portfolio 'Allegorien und Embleme' ('Allegories and Emblems'), published by Gerlach and Schenk in Vienna, made his reputation as an outstanding draughtsman as early as 1882.Īwarded the gold medal for the painting "Die Wächter des Paradieses" ("The Guardians of Paradise) at the Annual Exhibition at the Munich Glass Palace in 1889, Von Stuck devoted himself entirely to painting, becoming a portraitist who was much in demand. Von Stuck attended the Munich School for the Applied Arts after secondary school, transferring in 1881 to the "Königliche Akademie der bildenden Künste" (Royal Academy for the Fine Arts). From 1878 to 1881 he attended the Kunstgewerbeschule in Munich, where he received particular encouragement from Ferdinand Barth (1842–92). He was noted for his treatment of erotic and comic aspects of mythological themes.Īs a child he quickly became a gifted caricaturist. This Website is Best Viewed Using Firefoxįranz Von Stuck was am influential German Symbolist/Art Nouveau painter, sculptor, engraver, and architect born at Tettenweis near Griesbach in Lower Bavaria, Germany, the son of a miller.
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